Carlos Garrett is a multidisciplinary creator specializing in Digital Art, Animation, Motion Graphics, Photography, Music, Cultural Management, and Video Editing. He holds a Bachelor's degree in Communication Sciences from ITESO in Guadalajara, Mexico, and a Master's in 3D Animation and Infographics from the University of the Balearic Islands in Mallorca, Spain. As a musician, he has studied Contemporary Harmony, Composition, and Jazz Arranging. He has worked in media and production companies, contributing to the planning, production, and post-production of audiovisual projects, photography, design, 3D animation, and content creation. His work as an audiovisual producer includes scriptwriting, camera operation, strategic planning, production logistics, video editing and post-production, audio editing, and music scoring. As a Digital Artist, he has collaborated with artist María Vargas on the audiovisual series Mapas Imposibles, contributing original animation and music. Since 2016, he has been the founder and guitarist of the world jazz group Oui Manouche.
María Vargas grew up in a family environment where travel and cultural exploration were central to her education and identity formation. This everyday practice led to countless research exercises focused on the places she visited, grounded in interaction and hands-on learning, supported by reading and prior investigation. This approach to learning is reflected in her current creative processes. The significance of journeys, the concept of travel and mobility, and a continuous act of contemplating landscapes and images are all elements that materialize in her artistic work. Her visual practice emerged naturally and consistently from personal experiences of grief and loss, helping her restore personal balance and shaping her into an arts and design professional who sees creative expression as a way to generate a reality deeply connected to her original vitality. Her recent work focuses on implementing a system for collecting organic matter in urban spaces. This project links 17th- and 18th-century naturalist classification methods with certain contemporary social and cultural practices, as well as with current creative narratives, generating relational systems of meaning.
Expressiones is very proud to introduce our new artist in residence in Guadalajara, Veronica Ximenez. She is an abstract artist with extensive experience in Mexico and we are pleased to welcome her here.
We are thrilled to welcome back Mexican visual artist Verónica Ximénez to Expressiones for a special September residency. As the inaugural artist-in-residence in 2024, Verónica captivated our community with a vibrant body of work centered on painting. This year, she returns to explore a new dimension of her practice—ceramics. Her upcoming sculptural series, developed during this focused ( September ) a one-month residency, marks her first foray into 3D ceramic work at Expressiones. Known for her intuitive approach and poetic visual language, Verónica continues to expand her artistic vocabulary, bridging material and meaning with elegance and depth. We look forward to witnessing her evolution and the tactile narratives she will shape in clay.
Expressiones is very proud to introduce our new artist in residence in Guadalajara, Veronica Ximenez. She is an abstract artist with extensive experience in Mexico and we are pleased to welcome her here. Here she talks to us about her practice. "As an abstract artist, my motivation is deeply primal, driven by an impulsive need to paint, yet tempered with energetic discipline. My work is a harmonious blend of technique and gesture, where I often question whether it is the gesture that guides me to art or the technique that shapes the gesture. This dynamic interplay results in prints and graphics that are a vivid mix of emotions, ranging from euphoria and passionate reflection to serene calmness. The primary theme of my work is the landscape, inspired by the vibrant hues of red sunsets, the tranquil reflections of blue waters, and the mysterious allure of endless swamps. My art transcends the physical world, offering a glimpse into an inner realm where I explore and introspect my emotions infinitely. I predominantly use mixed media techniques based on acrylics, but I also deeply appreciate oil and encaustic. The influence of jazz rhythms is palpable in my pieces, adding a layer of complexity and spontaneity. Additionally, my love for reading historical narratives subtly weaves its way into my abstractions, infusing them with a sense of timelessness and depth."
We are thrilled to announce our partnership with the Child and Family Agency, an organization that makes a significant impact on the lives of children and families. Veronica Ximenez, our talented artist-in-residence from Guadalajara, Mexico, is spearheading the creation and execution of a mural at their New London facility.
Indira Urrutia, a Chilean-born artist whose innovative work seamlessly blends ethnographic research with textile and material exploration. Indira's unique practice incorporates knitting with unconventional materials such as metal and found objects, creating thought-provoking pieces that delve into themes of memory, resilience, and collective healing. Her installations and public interventions are not just art; they are invitations for participation, fostering meaningful dialogue on cultural heritage and environmental consciousness. Indira's work has been showcased internationally in galleries, cultural institutions, and urban spaces, captivating audiences around the world.
Indira Urrutia, the current Expressiones Artist-in-Residence (AIR), is showcasing her remarkable work at the Mystic Museum of Art (MMoA) as part of the exhibition "Stories, Dreams, Desires - The Artists of Expressiones," which will be on display for one more week. Her piece, "Memoria Romántica / Romantic Memory," was created during the Masaha Art Residency Cycle-7 at the Misk Art Institute in Saudi Arabia. This artwork intertwines personal and collective stories of migration, reflecting her own experience: when her parents emigrated to the U.S., Indira and her siblings remained in Chile, staying connected through cassette tapes until they were reunited. Inspired by "El Hilo de los Días" by Piedad Bonnett, Indira's adapted version merges Bonnett's verses with her own: "I weave the threads of life. I weave sorrow and joy. I weave mourning. I weave the days of peace and harmony. I weave the tears of the heart. I weave dreams and hopes. I weave the paths traveled. I weave the voices that migrate. I weave the voices that arrived and those that left. I weave diversity and colors. I weave the essence of our everyday lives."
One of our current current Artist-in-Residence at Expressiones Cultural Center, Indira Urrutia talks as she opens a window into her artistic practice. Her work is a meditation on memory, migration, and the invisible threads that bind us to place, language, and one another. Through tactile materials, poetic references, and a deep listening to her own story, Indira constructs spaces that are both personal and collective—echo chambers of longing, resilience, and transformation. In the video, she speaks with clarity and warmth about her process: how ideas take shape, how silence becomes form, and how art becomes a vessel for remembering. Her installation, “Memoria Romántica”, was part of the exhibition “Stories, Dreams, Desires – The Artists of Expressiones” at the Mystic Museum of Art last April 2025. This is not just a portrait of an artist at work—it’s a reflection on what it means to carry memory across borders, and to give it shape through art.
We extend our heartfelt thanks to everyone who joined us yesterday at Espressiones Cultural Center for an inspiring and enriching evening. It was a true pleasure to share the space with such an engaged and thoughtful audience. The highlight of the evening was undoubtedly the opportunity to hear directly from our talented artists in residence—Indira Urrutia from Chile and Marc Hors from Spain. Their insightful explanations of the works on display offered a rare and intimate glimpse into their creative processes, cultural influences, and the stories behind each piece. Indira’s reflections brought a deep emotional resonance to her work, while Marc’s perspective added a dynamic and thought-provoking layer to the exhibition. Your presence and participation made the experience even more meaningful. The thoughtful questions, the shared moments of reflection, and the vibrant conversations that followed reminded us of the power of art to connect us across cultures and perspectives.
Marc is a talented documentary photographer and storyteller whose work delves into the intersections of identity, culture, and social justice. Through his intimate portraits and compelling visual narratives, Marc seeks to amplify the voices of marginalized communities and provoke thoughtful reflection on critical issues such as human rights, inequality, and social change. Marc's dedication to capturing the essence of his subjects and their stories not only highlights the beauty and resilience of diverse communities but also challenges us to engage with and address pressing social issues. His work is a powerful reminder of the impact that art can have in fostering empathy and driving social change.
We extend our heartfelt thanks to everyone who joined us yesterday at Espressiones Cultural Center for an inspiring and enriching evening. It was a true pleasure to share the space with such an engaged and thoughtful audience. The highlight of the evening was undoubtedly the opportunity to hear directly from our talented artists in residence—Indira Urrutia from Chile and Marc Hors from Spain. Their insightful explanations of the works on display offered a rare and intimate glimpse into their creative processes, cultural influences, and the stories behind each piece. Indira’s reflections brought a deep emotional resonance to her work, while Marc’s perspective added a dynamic and thought-provoking layer to the exhibition. Your presence and participation made the experience even more meaningful. The thoughtful questions, the shared moments of reflection, and the vibrant conversations that followed reminded us of the power of art to connect us across cultures and perspectives.
This past weekend at Expressiones, we had the honor of hosting internationally acclaimed photographer Marc Hors for a powerful evening of storytelling, reflection, and human connection. 📸 Marc’s presentation, “The Gaze from the Bicycle,” was more than just a slideshow—it was a moving journey through his work across the Americas and his commitment to using photography as a tool for empathy and activism. 👥 From portraits in refugee camps to images of resilience at the Polish border, Marc invited us to witness the beauty, dignity, and strength of people facing displacement and adversity. 💬 During his residency, Marc also led workshops with New London youth, sparking conversations about identity, memory, and creative expression through the lens of art. 🌍 “These images are not about tragedy,” Marc shared. “They are about people—about us.” Thank you to everyone who joined us for this unforgettable evening. Stay tuned for more events that bridge art, community, and social justice. #Expressiones #MarcHors #PhotographyForChange #ArtAndEmpathy #NewLondonCT #WAARSeries #WeAreAllRefugees #CommunityThroughArt
Artist's Statement: The main technique of my work has always been oil painting. In this context, one of my main interests revolves around the formal and traditional concepts of painting, techniques, materials, and surfaces, prioritizing the painter's profession as a vital point for the creation of a piece of art. The topics that interest me are purely urban and contemporary. I focus mainly on individual psychology, creating characters with a pronounced emotional power, capable of generating a connection with the spectator, as well as metaphors of everyday situations. I want my work to be a starting point to begin to discover. I treat individuals, both men and women, as timeless characters immersed in a moment that the work itself suggests. My work covers themes such as sensuality, loneliness, guilt, love, death, the search for identity, routine, among others. Figuration is the predominant in all my work in which images of glamour from past and contemporary decades abound, especially in my female characters, leaving the male characters the role of a troupe that remotely and silently accompanies in some works. I use female representation as a figure of conflict: object of desire. For me, it is an aesthetic ideal of sophistication and glamour, but also an object (and not a subject) elusive to desire. I try to ensure that a “masculine” view of the gender theme, roles and an erotic configuration predominates in this context. My palette used to be sober, refined and restricted in my early works, while at present there is a considerable use of color and multiplicity of tones, influenced by current urban culture, as well as design and media. My taste for global, historical and media values and patterns made the appropriation of images a constant in my early years. Currently, I produce my own photographs, I look for the models, I do the art direction and styling. Photography has become a starting point, but it does not define the totality of my paintings. I look for it to have its own temperature and composition. I let the painting guide me until it is achieved. Although all this has been a process, I have tried to make it something organic and natural. At present, my interests are in large-format painting, always in a figurative way. I have found in collaboration with other artists, experiences that I can draw from, so I can say that interdisciplinary development has allowed me to develop my work in other areas of art that I did not master, such as digital arts or video.
https://vimeo.com/1047262073?share=copyA festive evening yesterday at the opening of the solo exhibition of Peruvian artist-in-residence, Toto Fernádez Ampuero and his exhibit titled "Architectures of Silence: A Dialogue between the Public and the Intimate." The artist developed a body of work during his time in New London while also providing art workshops to our children in collaboration with our partners Boys and Girls of New London at the Salvation Army.
Toto Fernandez Ampuero, our amazing Peruvian artist in residence, is bringing his incredible talent to the Boys and Girls Club of New London! Our kids have the unique opportunity to create art alongside this renowned artist for the next few weeks.
The Mystic Museum of Art (MMoA) is currently hosting "Stories, Dreams, Desires: The Artists of Expressiones," featuring artwork by 11 artists exploring the theme of migration, including Toto Fernández, former artist in residence at Expressiones Cultural Center in New London. His works serve as a powerful reminder of the strength and determination inherent in the migrant experience, celebrating their courage and the potential for renewal and growth. Through his exploration of Prometheus's myth, Fernandez draws a parallel to the modern-day struggles of migrants, emphasizing their role as bearers of knowledge and agents of change in their new communities.
Luis Alberto Saldaña Soto's work (Güines, 1987). Saldaña graduated in Painting from the Eduardo Abela Provincial Academy of Fine Arts, Provincia Habana, in 2006. He has received several provincial awards, and his work has been part of various national and international exhibitions. His production is visually varied, characterized by his focus on landscapes, which at times take on metaphysical qualities and explore the present, circumstances, and the transcendent. Living in Mayabeque has significantly influenced his connection to the natural environment and docks, making his personal experiences the vital source of his creations. Currently, the sea is his motif, fragment, beginning, and end. Saldaña's intense dialogue with its vastness now includes photography to capture moments of change and transformations in its anatomy, expressed in waves and color. Objects appear not within the waters but at their edge, provoking reflections. This discourse is permeated by a certain narcissism, a deep visual poetry where one element uses the other as a mirror, creating a dual complicity. The result is works ranging from small formats to large paintings, originating from photography and embracing the legacy of Impressionism, leading to their expressive content. His journey started by extracting figures from the urban environment and placing them in the sea as Atlanteans, bearers of a previous content now assuming the guise of insularity. This has now transformed into documenting even diluted reality. The distortions of forms place his work on the abstract's edge, conceptualizing reality through water and its reflections. Saldaña challenges us to know each of its secrets, whether from its periphery or the center of its fluidity, always an indigo-tinted adventure where the water resists revealing all its secrets.
Expressiones Cultural Center is delighted to announce the “Sea of Stories” first Solo exhibition by Cuban artist Luis Saldaña Soto in the United States, our current artist in residence. The exhibit will open on August 3rd and will be available until September 6th. The opening reception will be held on August 3rd from 6 to 8 pm.
he entire community of art enthusiasts came together for the opening of the "Mar de Historias - Sea of Stories" exhibition by artist in residence Luis Saldaña Soto. This event marked the debut of his work in the United States. Attendees had the unique opportunity to engage in discussions about his captivating artistic vision, which eloquently explores themes of the sea, water, and life.
Expressiones AIR Spring 2024 Mary Morales is a Honduran painter, illustrator, and independent arts instructor. Her work reflects a deep interest in themes such as migration, violence against women, and landscape. In recent years, she has undertaken both individual and collaborative exhibition projects in Honduras, Central America, and the United States. Morales began her artistic journey as a self-taught artist, primarily focusing on intensive studies of European, Latin American, and contemporary artists' works. Over time, Morales infused her painting with political and protest elements addressing issues in her country and Latin America. She has collaborated with institutions like the Cultural Center of Spain (CCE) on feminist exhibitions. In 2022, Morales won the unique prize at the 27th Biennial of Painting of the Inter-American Honduran Institute of Culture with her piece "Between Waters." In 2023, she launched her immersive exhibition "Absent Faces" in collaboration with the Central American Bank for Economic Integration (BCIE), marking the first art exhibition in Honduras with virtual and augmented reality elements. Her works are featured in public and private collections across Honduras, Central America, the United States, and Europe.
We are delighted to present “Nomads,” the first solo exhibition in the United States by artist Mary Morales. Hailing from Honduras, Mary has garnered several awards in her native country. Her captivating works were created during her residency at Expressions in New London. The exhibition invites us to explore the concept of migration, both in the broader context of species and in the intimate details of individual experiences. Mary’s body of work, developed entirely during her stay, reflects her unique perspective on this universal theme. Join us for the opening reception this Saturday, May 25th, at 6:00 PM. Don’t miss the opportunity to immerse yourself in Mary Morales’ thought-provoking art.
"Nomads" Since the beginning of my artistic career, I've dedicated myself to capturing realities to which I'm intimately connected. "Nomads" marks my third exhibition project centered around the theme of migration and transit. Migration, for me, represents a journey of spiritual transformation and adaptation, reflected in the ever-changing essence of water, a constant presence in my work. Both water and migration silently witness the changes, struggles, and inherent beauty of the constant movement inherent in all living things. Along the migrant route, particularly that of Central American migrants, bodies of water become constant companions on the journey; the Suchiate River, the Rio Grande, or the Tijuana Sea are part of the path. Water flowing and people walking, to me, are synonymous; anything that remains static stagnates and perishes. When I paint people in motion, I aim not to portray the individual but the collective, where we are all one and anyone can be anyone else. Thus, my art has become a testament to collective memory and a way to visualize stories of displacement, struggle, and dreams. Mary Morales
Our upcoming artist-in-residence hailing from Honduras is Josué Orellana, a vibrant and youthful talent brimming with enthusiasm. He is set to arrive in New London this week, bringing a wealth of innovative ideas for collaborating on community and children-focused projects. Let's get to know him better as he introduces himself.
Through a series of photographic metaphors, this ethereal display by Josué Orellana is a poetic meditation on the ebb and flow of connections within the human experience, each image a reflection of the search for the sacred divine and the ache its absence manifests in those for whom it eludes. Don’t miss this beautiful and provocative exhibit, presented in partnership between La Grua Center and Expressiones Cultural Center. Opening reception Friday, January 12, 5-7pm. 2024. Josué is a self-taught Honduran artist and educator Josué Orellana was born in Tegucigalpa and discovered a love of the visual arts at a young age. He studied both photography and filmmaking and has been recognized for his works nationally and internationally.
AIR Josué Orellana from Honduras is having his first Photograph Solo Show, thanks to our partner Cultural Organization La Grua Center in Stonington. Josué explains his work: "Within this evocative series, the protagonists are conspicuously absent, replaced by inanimate objects—chairs, furniture, and armchairs. These elements, carefully curated within photogenic scenarios, serve as metaphors for the voids left by human connections, resonating with the eloquence of solitude. The discerning eye perceives apparent portraits, yet the actual subjects are the lingering echoes of absence".
In a captivating video recording, Josué Orellana, the artist in residence from Honduras, concluded his three-month stay at Expressiones Cultural Center in New London with a unique Karaoke Installation Performance. The event featured a laid-back atmosphere with Pop Romantic vintage music, setting the stage for a lively interaction with the general public. Highlights of the performance included the active participation of attendees who joyfully joined in the karaoke, creating a shared and celebratory experience. Alongside the musical element, the installation showcased a display of paintings, creatively executed as found objects intervened. This nod to Arte Povera added an intriguing layer to the overall presentation, blending the worlds of music and visual art. The informal and inclusive nature of the event reflected Josué Orellana's vibrant artistic approach, engaging the community in a memorable and interactive farewell to his residency. The video recording captured the essence of this unique fusion of Karaoke, Pop Romantic vintage music, and intervened paintings, marking the conclusion of Josué's inspiring tenure at Expressiones Cultural Center.
Art Opening and Artist Talk April 9th, 5-7 PM. Exhibition will run until Saturday, April 30 TRAILBRAZING Expressiones Artists in Residence Iliana Scheggia & Ramón Ostolaza Expressiones Cultural Center is very proud to launch TRAILBRAZING an exhibition of two artists whose artistic practices and personal lives intersect in the same exhibition. About the exhibit Trailblazing is a sculptural installation result of Iliana and Ramon’s three-month residency program at Expressiones Cultural Center in New London, Connecticut. Their works make first contact, opening the path to a broader universe of form and thought. In Trailblazing we find two imaginary and timeless ecosystems in transit that evolve as they intersect, creating a new universe. These ecosystems are a metaphor for the evolution of thought and the fragility of its processes and sustainability over time. It reflects the need to renew strategies and knowledge to avoid stagnation and extinction. Iliana and Ramón approach their ecosystems from the abstract and the figurative, using geometric and organic shapes, respectively. On this occasion, Iliana presents pieces of unfired clay, highlighting the ephemeral and fragile nature of her constructions; in contrast, Ramón uses more durable materials.
LEARN MOREAn invitation to explore the stories and legends of different cultures, reinterpret them and turn them into a new element. This collaborative project was born from the imagination of one of the current artists in residence at Expressions, Ramon Ostolaza. Expressiones has invited various artists, with diverse artistic practices to intervene these objects created by Ramon. Each artist received a small-sized object that Ramon called Mostroks. The artist tells us that the Mostroks appeared with the intention of bringing the traditions of different cultures to a public that is increasingly moving away from the stories and traditions that have shaped humanity. Through collective work, we recreate a new and updated vision. With this project I transmit some of these stories to the other participants and, at the same time, we collectively invite them to reflect on what can be behind a character. The Art toy format makes it more every day and takes it out of the rigidity of a formal environment such as a textbook or a museum. The intervened pieces will be exhibited at Expressions on a date yet to be announced in which the artists will be able to tell us about their experiences during the process.
During his residency, Ramón is researching and creating a project that involves science and art, his two passions. The MicroMacro project is an experimental ecosystem in the creation and constant evolution in nature. The creatures that inhabit it play different roles, such as the Walkers that concentrate energy and modify their environment; the creatures in constant change and adaptation to the environment and the situation, or the Isos that recycle waste and return it to the cycle. In MicroMacro, the artist expresses artistically how size and time constantly change and cease to be a frame of reference. The interaction between Collectors, Transformers, and Recyclers becomes the framework on which the evolution of this ecosystem is measured. It is an ecosystem in permanent transformation, new beings are appearing and sometimes disappearing with each interaction. Durente su residencia, Ramón esta investigrando y creando un proyecto que envuelve ciencia y arte, sus dos pasiones. El proyecto MicroMacro es un ecosistema experimental en creación y evolución constante en la naturaleza. Las criaturas que lo habitan cumplen diversos roles, como los Caminantes que concentran la energía y modifican su entorno; los tardis en constante cambio y adaptación al medio y la situación o los Isos que reciclan los residuos y los retornan al ciclo. En MicroMacro, el artista expresa como artisticamente como el tamaño y el tiempo cambian constantemente y dejan de ser un marco de referencia. La interacción entre Colectores, Transformadores y Recicladores viene a ser el marco sobre el cual se mide la evolución de este ecosistema. Es un ecosistema permanente transformación, nuevos seres van apareciendo y en ocasiones desapareciendo con cada interacción.
Peruvian visual artist Iliana Scheggia will be developing a series of free workshops for all ages every Saturday this February 2022. The workshops are based on her own artistic practice exploring geometric patterns. La artista visual peruana Iliana Scheggia estará desarrollando una serie de talleres gratuitos y para todas las edades cada sábado este febrero 2022. Los talleres están basado en su propia práctica artística explorando patrones geométricos.
Artists in residence Ramon Ostolaza and Iliana Scheggia conducted an Origami workshop for families last Saturday, February 19, 2022. These, as part of Expressions giving back to the community Artist in Residence program. This workshop was just one of the many activities that this couple of talented Peruvian practicing artists are doing during their stay in New London, CT. The various forms and shapes a piece of paper can take with multiple folds fascinated young and not so young alike in a memorable morning
https://vimeo.com/680017428Ramon Ostolaza is one of our current AIR. He and his partner Iliana will be with us for the current Summer period. Ramon skillfully recreates mythological creatures inspired by the Chimu Pre-Colombian culture. His art objects capture the essence and intricate details of these ancient mythical beings. Through careful craftsmanship and attention to cultural authenticity, Ostolaza brings to life the rich folklore and symbolism of the Chimu civilization mixed with his own interpretation of reality creating fantastic icons. Each piece is a testament to his dedication and talent, offering viewers a glimpse into the fascinating world of his imagination and creativity. * Chan Chan in Peru is approximately 600 years old, making it one of the largest adobe cities in the world and a significant archaeological site representing the ancient Chimu civilization. Its importance lies in preserving the architectural and cultural heritage of the pre-Columbian era, offering valuable insights into the past civilization's urban planning, artistic expressions, and societal structures.
https://vimeo.com/843560001?share=copyIliana Scheggia a talented artist from Peru. In her latest solo exhibition at Expressiones, Scheggia takes us on a visual journey as she explores and maps the vibrant cityscape of New London. Join us as we delve into the intricacies of her art practice, unveiling the unique perspectives and interpretations that make her work truly remarkable. Get ready to immerse yourself in the world of Iliana Scheggia's artistic vision and discover the magic she creates through her masterful exploration of New London.
My work is born from my concern for the intervention of man in our planet and the abrupt changes that happen as a result of the intervention of man in nature; Nature plays a very important role in our own existence and survival as a species, and it is this constant tension of human-nature interaction that I represent in each of my works, appreciating life from a contemplative space, but also critical and different. There exists in me an enormous concern to take care of nature, and that is why as part of my artistic and philosophical practice of life I allow myself to dialogue with it and play with the different forms of the landscape, reinterpreting the trees I see, expressing this dialogue in stains, textures, recreating temperatures, reflections in the water etc. This is obvious in the backgrounds of the landscapes I paint .... there, each element is synthesized to become lines of colors, in some cases the lines are abrupt and endless. This is how the lines emerge, giving rise to the impasto, and a multiplicity of brushstrokes in different directions that blend with singular and dynamic force. I believe in art as an essential part in the creation of the identity of peoples. I am also convinced that through art we can contribute to the awakening of social awareness and sensitivity to the environment; and it is painting, as well as various materials that I use as the medium to express my feelings and philosophy of life using for this purpose my own visual language. Marcio Arteaga
Expressiones AIR from HONDURAS CONTRASTES Art Opening Reception Saturday, April 15 @ 6:00PM. Honduran Artist Shines Light on Nature Degradation and Wildfires in New Exhibition Marcio Arteaga Expressiones Artist in Residence from Honduras, is set to debut his latest exhibition, "Contrastes/Contrasts," on April 15, 2023, at Expressiones Cultural Center at 6:00 PM. The exhibition features a stunning collection of landscape paintings that showcase the effects of climate change, wildfires, and environmental degradation in Honduras' natural landscapes. As a native of Honduras, Marcio has witnessed the devastating impact of climate change and wildfires firsthand. His paintings are a reflection of his passion for nature and his concern for the environment. Using a combination of vivid colors and striking imagery, [Artist Name] highlights the fragility of the natural world and urges viewers to take action. "The body of works showcased in this exhibition are not just beautiful works of art; they represent a call to action," says Guido Garaycochea, Expressiones co founder and curator, "We are thrilled to showcase the work of such a talented artist who is using his art to raise awareness about important environmental issues." "Contrastes" is a must-see exhibition for anyone who cares about the environment and wants to learn more about the impact of climate change on Honduras. The exhibition runs from April 15 through May 15, 2023, and is open to the public later by appointment. For more information about the exhibition, please contact Jose Garaycochea at director@expressiones.org
Our Artist in Residence for Fall 2022 is Federico Rosas from Honduras. An artist who has lived and studied in several countries and now turns his experiences and experiences in our fall residency. Federico Rosa Suazo Website: www.federicorosas.com Instagram: @elfederosa About Federico's work: Federico Rosa (Honduras) is an artist who mainly works with contemporary strategies. Rosa tries to approach a wide scale of subjects in a multi-layered way, likes to involve the viewer in a way that is sometimes physical and believes in the idea of function following form in a work. His conceptual artworks are an investigation of concepts such as authenticity and objectivity, his works directly respond to the surrounding environment and uses everyday experiences from the artist as a starting point. Often these are framed instances that would go unnoticed in their original context. With a conceptual approach, he reflects on the closely related subjects of archive and memory. This often results in an examination of both the human need for ‘conclusive’ stories and the question whether anecdotes ‘fictionalise’ history. Guido Garaycochea Expressiones Co-founder, Artist, Curator.
Federico Rosa's webExpressiones Cultural Center is very proud to launch Sisyphus, an exhibition made during his stay in New London as part of his artist-in-residence experience. The title of this exhibition – is a reference to the Greek myth of Sisyphus – the tale of a king who, for cheating death, enraged the gods so much that Hades punished him by condemning Sisyphus to push a boulder up a mountain only for it to roll back down again, for all eternity. “Sisyphean” has invaded our language as an idiom for a difficult, yet pointless task. Albert Camus, the French existentialist, used the myth as a metaphor for our human predicament: if our existence is meaningless, thus futile, how do we make sense of it? This is our choice, according to Camus, and not our dilemma; at the end of his essay “The Myth of Sisyphus”, he states that we must imagine Sisyphus happy.
"When I arrived at New London and Expressiones, I had a very clear objective. I wanted to make a body of work that was consistent and articulate, so that I could feel like I had brought my craft into a clear and coherent state, which would also the culmination of ideas I had been working with for the past 4 or 5 years. I wanted to be able to say at the end of this period: “this is my craft.” “This is what I make.” All the pieces in the show I feel have real purpose and direction, and I hope the audience can see that. What really helped me stay focused and reach this other level, was the constant dialogue with the craft. Having the studio in my living space made the time between work and rest time very blurry. This constant confrontation with work felt like I was trying to solve puzzles all the time. It was very intense, physically, and mentally, but it was also very beautiful. I am very proud to show this work in New London, which my first solo show in the US. My name is Federico Rosa and my opening is Friday the 18th of November at Expressiones Cultural center." Federico Rosa, Novembre 2022.
The art-loving community gathered at Expressiones this past Friday to celebrate the opening of the exhibition 'Sisyphus" by Honduran artist-in-residence Federico Rosa. The exhibit features a group of works created over the past 3 months in New London and during his stay here. Many of these works reflect the artist's search and how these months have influenced a process of introspection reflected in the experimentation of different techniques. Many thanks to our friends and partners at Spark Makerspace in New London for giving space and knowledge to our artists.
Life experiences and growing up in Chile during the regime of Augusto Pinochet crafted my sardonic attitude and a compulsion to create and sew. The events of 9/11 in New York city increased my propensity. How absurd that the military coup in Chile took place on September 11, 1973. My art depicts a sharp point of view with a stark sense of humor that is a mixture of imagery from the ecclesial to pop-culture, along with references from art history, and memories from my youth and life events, combining a curious exchange of the profane, the pagan and the secular. I am a perpetual maker of art and collector of materials and textiles. I adopted the art of quilt making when I studied in Maine. I resonate with Dadaism, creating textile collages, embroideries, drawings and paintings. Like Klimt I believe there is an unspoken thought that beauty is perhaps an answer or at least a consolation to life’s absurdities.
Expressiones has a new artist in residence for this spring 2022. Carlos is an artist who works quilting as his primary medium. He gathers traditions from his ancestors to talk about a wide variety of subjects. His work contains questions as well as reflections on profound issues that mark our contemporary culture.
Carlos Bautista Biernnay: , 2011 Textile collage 40 x 50"
https://www.youtube.com/watch?v=Y89jD6SkAkQCarlos Biernnay, Expressions' artist-in-residence for the Spring-Summer 2022 period talks to us about his creative process. Carlos will open his temporary Art Studio at Expressiones this coming Saturday, May 28th in anticipation of his exhibition to be announced at the end of his stay.
I believe in the cathartic power of storytelling and art making which provides an opportunity to share perspectives with people of diverse backgrounds. A theme in my art is absurdity, caused by a constant awareness of the socio-political conditions and attitudes of humankind. This project is a response to the fragmentation and polarization we are experiencing because of the double Pandemic of socio-political tensions and the current health crisis. Projecto del Pez encourages participants to be rigorously aware, always observing, searching for beauty, kindness, the struggles of good and band, justice, bias, joy, pain and realizing gratitude and realization of the fragility of our environment, our blessings, relationships and that we are stewards of our planet, our community and ourselves. Carlos Biernnay
About this exhibition: El Proyecto del Pez puts many techniques together masterfully united by Carlos' imagination giving life to characters. This installation is composed of more than one hundred and fifty quilt pieces, joined, colored, designed to provide the viewer with a unique experience. Guido Garaycochea-curator. “I believe in the cathartic power of storytelling and art making which provides an opportunity to share perspectives with people of diverse backgrounds. A theme in my art is absurdity, caused by a constant awareness of the socio-political conditions and attitudes of humankind. This project is a response to the fragmentation and polarization we are experiencing because of the double Pandemic of socio-political tensions and the current health crisis. Proyecto del Pez encourages participants to be rigorously aware, always observing, searching for beauty, kindness, the struggles of good and band, justice, bias, joy, pain and realizing gratitude and realization of the fragility of our environment, our blessings, relationships and that we are stewards of our planet, our community and ourselves”. Carlos Biernnay The exhibition will be open to the public by appointment until July 30. Guided tours by the artist can be arranged in advance. email: dirctor@expressiones.org
Born in Medellín, Colombia, Andrei Pimienta is a multidisciplinary artist whose work spans drawing, performance, and experimental visual communication. A graduate of Fundación Universitaria Bellas Artes in Medellín, Pimienta’s practice is rooted in the exploration of gesture, perception, and the boundaries between viewer and creator. His work often invites participation, dialogue, and reflection, using minimal yet evocative visual language. In December 2020, Pimienta was selected as an Artist-in-Residence at Expressiones Cultural Center in New London, Connecticut. During his residency, he developed a performance piece titled “Aks Me!”, which transformed the gallery’s street-facing window into a live communication portal. In this interactive installation, Pimienta remained inside the building while passersby were invited to engage with him from the outside, initiating a silent yet powerful dialogue through gestures, signs, and presence. The piece challenged conventional notions of space, access, and connection—especially poignant during a time of global distancing. In addition to his performance work, Pimienta collaborated with local youth at the Drop-In Learning Center, leading creative workshops that emphasized visual storytelling and expressive freedom. His residency reflected Expressiones’ mission to foster cultural exchange and community engagement through the arts. Andrei Pimienta continues to explore the intersections of art, communication, and public space, using his work to provoke curiosity and foster human connection across borders.
María Colombo is a visual artist and stage designer from Buenos Aires, Argentina, born in 1981. Her artistic practice spans painting, sculpture, and collage, often characterized by intuitive processes and a strong connection to materiality and space. She studied scenography at the La Plata Theater School and has participated in numerous exhibitions across Argentina and internationally. Colombo has been selected multiple times as an artist-in-residence at Expressiones Cultural Center in New London, Connecticut, USA. Her repeated invitations reflect her deep commitment to community engagement and intercultural dialogue. During her residencies, she developed workshops for children using paper cut-out animation, incorporating local materials and collaborating with educators both in New London and in schools across Buenos Aires Province. Her work at Expressiones included solo exhibitions and participation in community events, reinforcing her role as a cultural bridge between Latin America and the United States. Colombo continues to teach painting and collage at Espacio Camargo, an art space in Buenos Aires, while maintaining an active presence in the international art scene.
Adrián Meyer is a Uruguayan visual artist whose work is rooted in the language of contemporary abstraction. Originally from Dolores, Uruguay, Meyer has developed an artistic practice focused on the exploration of form, color, and structure, influenced by the constructivist tradition of Uruguayan art and his interest in intercultural dialogue. Meyer was selected as an artist-in-residence at Expressiones Cultural Center in New London, Connecticut, United States. During his residency, he participated in exhibitions such as New London, New Colors at the Groton–New London Airport, and in community events like Day of the Dead Night, where he shared his work and artistic vision with local audiences. His time at Expressiones allowed him to expand his practice in a diverse environment committed to Latin American art, solidifying his role as a cultural ambassador of Uruguay abroad.
Juan Carlos González Mejía – Honduran Visual Artist Juan Carlos González Mejía is a contemporary visual artist from Honduras, known for his innovative use of collage and mixed media to explore themes of identity, memory, and transformation. Originally from Tegucigalpa, González Mejía has exhibited his work nationally and internationally, gaining recognition for his dynamic compositions and conceptual depth. As part of his artistic journey, González Mejía was selected to participate in the artist residency program at Expressiones Cultural Center in New London, Connecticut. During his time at Expressiones, he engaged with the local community through exhibitions and collaborative projects, contributing to the center’s mission of fostering intercultural dialogue through the arts. His residency experience allowed him to expand his creative practice in a multicultural environment, reinforcing his role as a cultural ambassador of Honduras and strengthening artistic ties between Central America and the United States.
Andrés Mejía Rivas is a distinguished visual artist from Honduras, known for his technical mastery and conceptual depth in traditional media such as sanguine, graphite, and mixed techniques on canvas. His work is marked by a poetic sensitivity that blends naturalistic figures with symbolic compositions, exploring themes such as memory, identity, and temporality. In 2018, Mejía Rivas was awarded the First Prize in Painting at the XXVI Central American and Caribbean Painting Biennial, organized by the Honduran Institute of Inter-American Culture (IHCI), for his piece Can Everything Be Achieved in Life?. This recognition included an artistic residency at the Expressiones Cultural Center in New London, Connecticut, where he participated as an artist-in-residence. During his stay, Mejía Rivas shared his artistic vision with the local community, leading workshops and projects that strengthened cultural exchange between Honduras and the United States. His participation at Expressiones solidified his role as a cultural ambassador, bringing the richness of Honduran art abroad and contributing to intercultural dialogue through artistic creation.
Born and raised in Bogotá, Colombia, Michelle Melo is a multidisciplinary artist whose practice bridges contemporary sculpture, textile arts, and visual storytelling. She holds a BFA in Contemporary Sculpture from La Universidad Nacional de Colombia and currently lives and works in New York City. Her work has been exhibited internationally across South America, Europe, and the United States. Melo’s artistic language is deeply rooted in memory, femininity, and domesticity. She explores these themes through the tactile and symbolic gesture of sewing, incorporating embroidery, quilting, and appliqué into her compositions. Drawing inspiration from folk tales and lived experiences, she merges traditional textile practices from the Americas with contemporary techniques such as collage, printmaking, and drawing. Her pieces evoke poetic narratives that speak to longing, isolation, and cultural identity.
During her Artist-in-Residence period at Expressiones Cultural Center in New London, Connecticut ( Summer Fall 2017 ), Melo engaged deeply with the local community. She facilitated workshops with children from local schools, including the New London Arts Magnet Middle School and Nathan Hale Arts Magnet School, guiding them through collaborative art projects that emphasized storytelling and self-expression. Her residency culminated in a solo exhibition showcasing works developed during her stay, reflecting both her personal journey and the cultural exchange fostered through her interactions with the community. Michelle Melo continues to use art as a bridge between tradition and innovation, weaving together stories that resonate across borders and generations.
Born in San Pedro Sula, Honduras in 1963, Santos Arzú Quioto is a self-taught artist whose expressive abstract style has earned him international acclaim. His work is characterized by bold textures, layered symbolism, and a deep emotional resonance that explores themes of identity, displacement, and human connection. With a career spanning over four decades, Arzú has exhibited in more than 20 solo shows and over 50 group exhibitions across Latin America, Europe, Asia, and the United States. Arzú’s artistic journey is rooted in philosophical inquiry and cultural introspection. His compositions often evoke landscapes of memory and emotion, using color and form to navigate the complexities of exile, diaspora, and belonging. He has represented Honduras in prestigious biennials, including the Venice Biennale (1999), the Iberoamerican Biennale in Lima (1997), and multiple editions of the Central American Isthmus Biennale. In July–September 2012, Arzú was selected as an Artist-in-Residence at Expressiones Cultural Center in New London, Connecticut. During his residency, he created a body of work inspired by the Thames River and the multicultural fabric of New London. His solo exhibition at Expressiones reflected his ongoing exploration of migration and identity, presenting abstract landscapes that served as metaphors for emotional and territorial transitions. Arzú described New London as a “strategic crossroads” between New York and Boston, yet possessing its own unique cultural rhythm. His residency emphasized the role of art in fostering dialogue and empathy, and he engaged with the local community through workshops and public events. His work during this period captured the essence of movement—not just physical, but existential—highlighting the universal desire for happiness and rootedness. Santos Arzú Quioto continues to be a vital voice in Central American art, using abstraction to bridge personal experience with collective memory.
Honduran Artist | Known as “MOTHE” Carlos Lamote, professionally known as MOTHE, is a visual artist from Honduras whose work is deeply influenced by the socio-political landscape of his homeland. His practice is rooted in resilience, memory, and cultural identity, often reflecting the tensions and hopes of communities navigating political unrest and displacement. Lamote’s artistic journey began in Tegucigalpa, where he developed a distinctive style that blends expressive figuration with symbolic abstraction. His work frequently incorporates mixed media, including textiles, found objects, and traditional Honduran motifs, creating layered narratives that speak to both personal and collective histories. In early 2017, Lamote was selected as an Artist-in-Residence at Expressiones Cultural Center in New London, Connecticut 1. During his residency, he created a body of work that responded to themes of migration, belonging, and transformation. His time at Expressiones allowed him to engage with the local community, share his story, and explore new dimensions of his practice in a supportive and collaborative environment. Lamote’s residency culminated in a public exhibition and artist talk, where he discussed the emotional and political undercurrents of his work. His presence at Expressiones added a powerful voice to the center’s mission of fostering cross-cultural dialogue through the arts. Carlos Lamote continues to exhibit internationally and remains committed to using art as a tool for reflection, healing, and social change.
Born in Buenos Aires in 1977, Martín Salinas is a visual artist and architect whose work explores the intersection of spatial design, abstraction, and narrative form. A graduate of the Universidad de Buenos Aires (UBA), Salinas developed his artistic voice through mentorships with renowned Argentine artists such as Marcia Schvartz, Duilio Pierri, and Alberto Goldenstein, and through critical workshops led by Yuyo Noé and Tulio de Sagastizabal. Salinas’s practice is characterized by his use of “rebatidos” (folded planes), cut-out imagery, and three-dimensional spatial compositions. His work often reflects architectural thinking translated into visual art, creating dynamic environments that challenge perception and invite introspection. In 2015, Salinas was selected as an Artist-in-Residence at Expressiones Cultural Center in New London, Connecticut 1. During his residency, he collaborated with local institutions including the Drop-In Learning Center and New London Public Schools, engaging children and youth in creative workshops that emphasized spatial awareness, storytelling, and visual experimentation. His approach combined artistic creation with educational outreach, fostering a dialogue between his own practice and the community’s cultural fabric. The residency culminated in an exhibition that showcased works inspired by New London’s urban landscape and cultural diversity. Salinas’s time at Expressiones highlighted his commitment to art as a participatory and transformative experience, bridging his architectural sensibility with a socially engaged artistic vision. Martín Salinas continues to live and work in Buenos Aires, where he exhibits regularly and contributes to the evolving discourse of Latin American contemporary art.
Alberto Palma is a contemporary Honduran painter whose work explores metaphor, memory, and social reflection through vibrant acrylic compositions. Known for his expressive style and symbolic imagery, Palma’s art often delves into themes of transformation, identity, and the human condition. His visual language is rooted in Latin American traditions, yet it speaks to universal experiences of change and resilience. In 2018, Palma was selected as an Artist-in-Residence at Expressiones Cultural Center in New London, Connecticut, where he participated from June 15 to August 14, 2018 During his residency, he developed a series titled “El buitre como una metáfora” (“The Vulture as a Metaphor”), consisting of approximately ten acrylic paintings of varying dimensions. This body of work used the vulture as a symbolic figure to explore themes of survival, decay, and renewal—offering a poetic lens on societal and personal transformation.
Palma’s residency was not only about creation but also community engagement. He led art workshops for over 40 children, ages 6 to 10, from local schools and organizations. These sessions emphasized free expression and visual storytelling, allowing young participants to explore their creativity and produce their own artworks, which were later exhibited alongside Palma’s pieces. The exhibition drew strong interest from the public, with several attendees expressing a desire to acquire his works. Alberto Palma’s time at Expressiones exemplified the center’s mission to foster multicultural dialogue through the arts. His work continues to resonate with audiences across borders, reflecting both the richness of Honduran artistic heritage and the transformative power of creative exchange.
Born in Morelia, Mexico in 1992, Rodrigo Orozco is a multidisciplinary artist whose work spans painting, animation, and experimental filmmaking. His creative universe is steeped in surrealism and dreamlike imagery, often blending stop-motion techniques with live action to explore themes of solitude, imagination, and transformation. Orozco’s visual language is poetic and immersive, inviting viewers into mysterious worlds populated by fantastical beings and symbolic landscapes. Orozco has participated in numerous national and international exhibitions and film festivals, including the Festival Internacional de Cine de Morelia, Babel Cuzco (Peru), and Hidden Door (Scotland), earning awards for his animated short films. His work reflects a deep engagement with narrative structure and visual metaphor, drawing inspiration from Latin American folklore, cinema, and personal introspection. In 2018, Rodrigo Orozco was selected as an Artist-in-Residence at Expressiones Cultural Center in New London, Connecticut. During his residency, he developed a visual arts project titled “Walls of Jericho”, which explored themes of isolation, imagination, and the boundaries between reality and fantasy. The project included paintings and sculptural elements that reflected his cinematic sensibility and surrealist influences. Orozco also led creative workshops for children at the Drop-In Learning Center in New London, where he encouraged young participants to build imaginative sculptures and explore storytelling through visual art. His residency culminated in a public exhibition and community engagement that highlighted his role as both an artist and educator.
Born in Buenos Aires, Argentina, Mariano Gómez is a contemporary visual artist whose work explores the nuances of human interaction, urban life, and emotional landscapes. His practice is rooted in figurative painting, often blending realism with expressive abstraction to capture fleeting moments and layered narratives. Gómez’s compositions are known for their sensitivity to gesture, color, and psychological depth, reflecting his background in both fine arts and social observation. In 2017, Gómez was selected as an Artist-in-Residence at Expressiones Cultural Center in New London, Connecticut. His residency culminated in a solo exhibition titled “People I Meet”, a series of portraits and scenes inspired by his encounters with individuals in New London. Through this body of work, Gómez documented the subtle beauty and complexity of everyday life, portraying local residents with empathy and artistic insight. During his stay, Gómez engaged actively with the community, offering workshops and participating in cultural events that fostered dialogue between his Argentine heritage and the diverse fabric of New London. His approach emphasized art as a tool for connection, storytelling, and mutual understanding. “People I Meet” was not only a visual diary of his residency but also a tribute to the shared humanity that transcends borders. The exhibition received warm reception from the public and highlighted Expressiones’ mission to promote cross-cultural exchange through the arts. Mariano Gómez continues to live and work in Buenos Aires, where he exhibits regularly and contributes to the evolving discourse of Latin American contemporary art.
Sebastián Portillo is a multidisciplinary artist from Mexico whose work spans photography, drawing, cinematography, and visual storytelling. With a background in fashion and portrait photography, Portillo’s artistic practice is rooted in capturing the emotional and symbolic dimensions of human experience. His work has been featured in digital publications across Korea, Spain, Canada, and Mexico, reflecting a global resonance and aesthetic versatility. Portillo’s visual language often explores themes of identity, transformation, and the metaphysical, using light and composition to evoke introspective narratives. His series “Origins & Endings” is a notable example, blending scientific prompts with poetic imagery to trace the evolution of consciousness and technology.
In 2017, Portillo was selected as an Artist-in-Residence at Expressiones Cultural Center in New London, Connecticut. During his residency, he collaborated with fellow artist Margarita Hernández to lead creative workshops at Nathan Hale Arts Magnet School, engaging students in visual arts projects that emphasized self-expression and cultural awareness. The residency culminated in a public exhibition at Expressiones Cultural Center, showcasing student artwork developed under their guidance. Portillo’s role at Expressiones extended beyond artistic production; he served as a mentor and cultural ambassador, fostering dialogue between his Mexican heritage and the diverse community of New London. His approach emphasized the power of art to inspire, educate, and connect across boundaries. Sebastián Portillo continues to develop his artistic practice internationally, contributing to the fields of visual art and education with a commitment to creativity and cultural exchange.
Luis Landa is a contemporary visual artist from Honduras whose work explores themes of identity, memory, and cultural heritage through expressive painting and mixed media. His artistic practice is rooted in the vibrant traditions of Central America, often incorporating symbolic imagery and dynamic compositions that reflect both personal and collective narratives. In 2019, Landa was selected as an Artist-in-Residence at Expressiones Cultural Center in New London, Connecticut. During his residency, he developed a series of paintings that responded to the theme of migration and transformation, drawing inspiration from his own experiences and the stories of the local community. His work during this period was marked by bold color palettes and layered textures, evoking emotional depth and cultural resonance. Landa also led art workshops for youth, engaging students in creative exercises that emphasized storytelling through visual art. His approach fostered dialogue and reflection, encouraging participants to explore their own identities and cultural backgrounds through painting and drawing. The residency culminated in a public exhibition at Expressiones, where Landa’s work was warmly received by the community. His contributions exemplified the center’s mission to promote cross-cultural understanding and artistic exchange. Luis Landa continues to exhibit his work internationally and remains committed to using art as a tool for education, empowerment, and cultural connection.
Juan Balaguer is a contemporary visual artist from Córdoba, Argentina, whose work explores themes of migration, identity, and resilience through evocative use of color and form. His artistic practice often reflects the tension between idealized visions of prosperity and the stark realities faced by migrants, offering a poignant commentary on the human condition. Balaguer was an Artist-in-Residence at Expressiones Cultural Center in New London, Connecticut, in September 2014, where he participated in a gallery opening showcasing his work. During his residency, he engaged with the local community through exhibitions such as "New London, New Colors" at the Groton–New London Airport and cultural events like Day of the Dead Night, where he shared his artistic vision and connected with diverse audiences. In March–April 2025, Balaguer’s work was featured in the exhibition "Stories, Dreams, Desires: The Artists of Expressiones" at the Mystic Museum of Art, a collaborative project with Expressiones Cultural Center. His contributions to this show highlighted the emotional and psychological landscapes of migration, aligning with the exhibition’s curatorial theme of displacement and cultural resilience
Rafael Melendez is a multidisciplinary artist whose practice merges drawing, collage, and conceptual assemblage. Born in Mexico and currently based in London, Melendez’s work is rooted in a hybrid visual language he calls Abstract Psychofigurism and Primitivoxelism—a fusion of primal forms and speculative aesthetics. His pieces often explore identity, materiality, and cultural narratives, challenging conventional boundaries between high and low culture. In 2016, Melendez was selected as an Artist-in-Residence at Expressiones Cultural Center in New London, Connecticut. During his residency, he developed a body of work titled “There’s Only One Remember”, which was exhibited at Expressiones and curated by Eva Mayhabal Davis. The exhibition featured experimental drawings and assemblages that reflected Melendez’s introspective and iconoclastic approach to art-making. His work during this period explored memory, fragmentation, and the surreal dimensions of personal and collective identity. Melendez also participated in artist talks and community events, engaging with local audiences and sharing insights into his creative process. His residency at Expressiones exemplified the center’s mission to foster cross-cultural dialogue and support innovative artistic voices from Latin America and the diaspora. Rafael Melendez continues to expand his practice internationally, creating thought-provoking works that invite reflection and challenge viewers to reconsider the boundaries of contemporary art.
Carolina Casusol is a multidisciplinary artist from Lima, Peru, whose work explores the intersections of language, migration, and visual culture. Her practice spans drawing, installation, and conceptual art, often incorporating everyday materials and textual fragments to reflect on identity, displacement, and the emotional landscapes of diaspora. Casusol’s work is rooted in the aesthetics of the ordinary—storefront signs, handwritten notes, and urban ephemera—reframed through a poetic and critical lens. She uses these elements to construct narratives that speak to both personal memory and collective experience, often drawing from her Peruvian heritage and her observations of Latin American communities abroad. In September 2013, Casusol was selected as an Artist-in-Residence at Expressiones Cultural Center in New London, Connecticut. During her residency, she developed a series of drawings and installations that responded to the visual language of migration and cultural adaptation. Her work explored how immigrant communities preserve and transform identity through signage, gesture, and informal communication. Casusol also engaged with the local community through workshops and public programming, encouraging participants to reflect on their own cultural narratives and visual environments. Her residency culminated in a solo exhibition that invited viewers to consider the subtle yet powerful ways in which language and image shape belonging. Carolina Casusol continues to live and work in the United States, where she remains committed to using art as a tool for dialogue, reflection, and cultural connection.
Born in Buenos Aires in 1971, Juan Miceli is a multidisciplinary artist whose practice spans sculpture, video installation, performance, and experimental media. His work is known for its visceral materiality and conceptual depth, often incorporating found objects, textiles, and digital elements to explore themes of identity, transformation, and cultural memory. Miceli’s approach is intuitive and immersive, creating worlds inhabited by symbolic forms and fantastical beings. In April to June 2014, Miceli was selected as an Artist-in-Residence at Expressiones Cultural Center in New London, Connecticut. During his residency, he developed and presented a multimedia exhibition titled “The Visitor”, which included video installations, sculptures, and drawings. The project reflected his ongoing exploration of presence, displacement, and the role of the artist as both observer and participant in unfamiliar environments. Miceli’s time at Expressiones was marked by community engagement and artistic experimentation. His work invited viewers into a layered narrative space, where materials such as bones, plastic, and digital textures became metaphors for cultural hybridity and existential inquiry. Juan Miceli continues to live and work in Buenos Aires, where he is active in the fields of electronic arts, performance, and visual storytelling. His contributions to Expressiones remain part of the center’s legacy of fostering Latin American contemporary art and cross-cultural dialogue.
Aymar Ccopacatty is a Peruvian-American artist of Aymara heritage whose work fuses traditional Andean textile practices with contemporary environmental activism. Born near Lake Titicaca in southern Peru and raised between his ancestral homeland and Providence, Rhode Island, Ccopacatty’s art reflects a deep engagement with Indigenous identity, sustainability, and cultural resilience. He began weaving under the guidance of his grandmother, an expert in traditional Aymara textile techniques. This early education laid the foundation for his later experimentation with recycled materials, particularly plastic bags, which he braids, knits, and collages into sculptural forms. His work critiques consumerism and environmental degradation while honoring ancestral knowledge systems 1. In the summer of 2012, Ccopacatty was an Artist-in-Residence at Expressiones Cultural Center in New London, Connecticut, where he created a series of community-engaged works focused on migration, material culture, and ecological awareness. His residency included workshops and public installations made from recycled materials, emphasizing sustainability and cultural storytelling. He holds a BFA in Sculpture from the Rhode Island School of Design and a Master of Science in Textile Conservation from the University of Rhode Island. In addition to his artistic practice, Ccopacatty consults with institutions like the Smithsonian on Indigenous collection care and conservation ethics. Ccopacatty’s work is not only a visual expression but a cultural and political statement—an urgent call to reconnect with ancestral wisdom while confronting the ecological crises of the present. His art continues to inspire dialogue across borders, generations, and disciplines.
Born in Havana, Cuba in 1972, Ulises Urra is a multidisciplinary artist whose practice spans collage, photography, drawing, and installation. His work is deeply rooted in the deconstruction and reorganization of archives, using visual fragments to reconstruct memory and identity. Urra’s artistic language is both poetic and critical, reflecting on the fragile boundaries between the virtual and the real, and the role of information in shaping contemporary consciousness. Urra’s installations often combine photographic prints, objects, and film projections, creating immersive environments that evoke both personal and collective histories. His approach to collage serves as a metaphor for the layered and often contradictory nature of modern life—a “hodgepodge of juxtaposed harmonies and conflicts.” In November 2012, Ulises Urra was selected as an Artist-in-Residence at Expressiones Cultural Center in New London, Connecticut. During his residency, he presented a series of mixed media compositions that included paper, photography, and found materials. His work explored themes of fragmentation, memory, and cultural displacement, inviting viewers to reflect on the intersections of history, identity, and perception. Urra also participated in an artist talk and opening event at Expressiones, where he shared insights into his creative process and the conceptual underpinnings of his work. His residency contributed to the center’s mission of fostering cross-cultural dialogue and artistic innovation. Ulises Urra continues to live and work between Berlin and Havana, exhibiting internationally and contributing to contemporary discourse on collage, memory, and visual culture.
Analí Chanquía is a muralist and visual artist from Rosario, Argentina, whose work explores the intersection of urban space, identity, and visual storytelling. With a background in fine arts and a passion for public art, Chanquía has developed a distinctive style that blends figurative elements with abstract compositions, often addressing themes of gender, community, and transformation. In the summer of 2012, Chanquía was an Artist-in-Residence at Expressiones Cultural Center in New London, Connecticut, where she immersed herself in the local environment and created a series of site-specific murals that reflected the cultural diversity and spirit of the city. Her residency culminated in a public exhibition and community engagement activities that invited dialogue around the role of art in reclaiming and reimagining shared spaces. Through her work at Expressiones, Chanquía contributed to the center’s mission of fostering cross-cultural exchange and artistic innovation, leaving a lasting visual imprint on New London’s urban landscape.
Born in Santiago, Chile and based in New York City, Iván Gaete is a self-taught multidisciplinary artist whose practice spans drawing, paper constructions, photography, video, and installation. His work is characterized by its geometric precision, monochromatic palette, and philosophical depth, often exploring themes of transformation, perception, and the invisible structures that shape human experience. Gaete’s artistic process is rooted in labor-intensive techniques involving ink, thread, and paper. He draws inspiration from architecture, cosmology, and metaphysics, using repetition and mark-making to reveal the temporal traces left by nature and humanity. His work embraces ambiguity and duality, aiming to distort space and deconstruct meaning while remaining tactile and visceral. In 2016, Gaete was selected as an Artist-in-Residence at Expressiones Cultural Center in New London, Connecticut. During his residency, he initiated a collaborative project with kindergarten students at Nathan Hale Arts Magnet School, engaging them in creative exploration through visual art. His approach emphasized the transformative power of hands-on creation and the importance of revealing hidden structures—both physical and conceptual—through artistic practice. Gaete’s time at Expressiones reflected his commitment to community engagement and cultural exchange. His residency contributed to the center’s mission of fostering dialogue between Latin American artists and the New London community, and his work continues to resonate with audiences across disciplines and borders.
Ignacio Gana is a celebrated Chilean sculptor and painter whose work is renowned for its figurative elegance and emotional depth. Born in Santiago, Chile in 1976, Gana originally trained as an architect before fully dedicating himself to the visual arts. His sculptures and paintings, often characterized by a refined sensuality and narrative richness, have earned him international acclaim and a place in prestigious collections including the Museum of Latin American Art (MOLAA) in California, the Ralli Museums in Chile and Spain, and even the Guggenheim in Venice. In 2011, Gana was invited as an Artist-in-Residence at Expressiones Cultural Center in New London, Connecticut. During his residency, he presented two solo exhibitions: “New Works” (2011) and “Inmersión / Extracción” (2012), which explored themes of transformation and identity through sculpture and mixed media. His time at Expressiones also included participation in the New London Piano Project, where he transformed a public piano into a vibrant piece of urban art, contributing to the cultural revitalization of the city. Among his many accolades, Gana was named one of the 18 most influential artists in Miami and was selected as the official artist of the Latin Grammy Awards in 2017. His public sculptures and gallery exhibitions continue to captivate audiences across the Americas and Europe.
Born in Lima, Peru in 1982, Jairo Robinson is a contemporary visual artist whose work is rooted in abstraction and geometric composition. A graduate of the Escuela Nacional Superior Autónoma de Bellas Artes del Perú, Robinson has developed a distinctive style that merges personal introspection with formal experimentation. His paintings often explore the interplay of line, color, and spatial tension, reflecting a deep engagement with internal landscapes and emotional resonance. Robinson was an artist-in-residence at Expressiones Cultural Center in New London, Connecticut, during the fall of 2015. During his residency, he created a body of work titled Entering to a New Dimension, which culminated in a solo exhibition and artist talk. His time at Expressiones was marked by active community involvement, including workshops with local youth and collaborative events that bridged Latin American and New England cultural perspectives. Among his most notable achievements, Robinson exhibited at Art Basel 2024 in Basel, Switzerland, marking a significant milestone in his international career 1. He also held solo exhibitions at Yvonne Sanguineti Galería de Arte in Lima, including the acclaimed show Pinturas in 2013 1. His work has been featured in collections and group exhibitions across Peru, Spain, Germany, and the United States. Robinson’s artistic practice continues to evolve, driven by a commitment to abstraction as a means of personal and cultural expression.
Marco Castro Cosio was a visionary Mexican artist, designer, and cultural innovator whose work bridged art, technology, sustainability, and community engagement. Born in Guadalajara, Mexico, Marco’s creative journey led him to New York City, where he earned his degree from NYU’s Tisch School of the Arts in the Interactive Telecommunications Program. His career spanned roles at the Queens Museum, the Metropolitan Museum of Art’s MediaLab, and Columbia University’s Brown Institute, where he was a Research Fellow. In 2012, Marco joined Expressiones Cultural Center in New London, Connecticut, as an Artist-in-Residence. During his residency, he transformed the gallery into a dynamic space of interaction and storytelling. His work at Expressiones included participatory installations and community-based design projects that invited visitors to reflect on identity, migration, and urban life. Marco’s approach was deeply rooted in empathy and imagination—he saw design as a tool for social change and art as a language of connection. One of his most celebrated projects, Bus Roots, exemplified his commitment to sustainability and urban renewal. By planting gardens on the roofs of city buses, Marco reimagined public transportation as a vehicle for ecological awareness and beauty. His work was featured in TED Talks, UN initiatives like Rio+20, and numerous exhibitions across the U.S. and Mexico. Tragically, Marco passed away in 2023 in his hometown of Guadalajara. His death was mourned by a wide network of artists, technologists, and educators who had been touched by his generosity, brilliance, and optimism. Tributes poured in from institutions like the Brown Institute and the Queens Museum, celebrating his legacy as a connector of people and ideas. In his honor, Columbia University launched the Marco Castro Cosio Media Art and Technology Fellowship, ensuring that his spirit of innovation and compassion continues to inspire future generations. Marco’s time at Expressiones remains a cherished chapter in the center’s history—a moment when art, community, and vision came together in profound harmony.
Iván Romero is a Venezuelan visual artist known for his evocative abstract and conceptual work that explores the tension between chaos and harmony. Based in San Cristóbal, near Caracas, Romero has exhibited extensively across South America, with notable shows such as Momentos Acrílicos and Armonía–Caos at the Museo de Arte de Oriente (MAO), which reflect his deep engagement with emotional and philosophical themes. Romero was an artist-in-residence at Expressiones Cultural Center in New London, Connecticut, in July 2012, where he presented his first solo exhibition in the United States. During his residency, he created a large-format painting titled River of Silence, which was showcased in a public exhibition and artist talk. His time at Expressiones was marked by community engagement, including workshops and open studio sessions that invited local audiences into his creative process. Among his recognitions, Romero was selected for the #6 Flamantes Artists Book in Madrid (2016), and participated in a collective exhibition at the Alliance Française in Spain. His work continues to resonate for its introspective depth and its ability to bridge Latin American cultural narratives with universal human experiences.
